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[To right]: Major Harry Vernon Anderson, 101st Airborne Division and ‘Monuments Man’
Hofer on Vermeer. Typed by Hofer immediate post war (May 1945), presumably under instruction from Major Harry Vernon Anderson, 101st Airborne Division.
Hofer on Vermeer. Typed by Hofer immediate post war (May 1945), presumably under instruction from Major Harry Vernon Anderson, 101st Airborne Division.
Hofer on Vermeer. Typed by Hofer immediate post war (May 1945), presumably under instruction from Major Harry Vernon Anderson, 101st Airborne Division.
Letter to Hofer, from German art dealer, Eduard Plietzsch.
Letter to Hofer, from German art dealer, Eduard Plietzsch.
Letter to Hofer, from German art dealer, Eduard Plietzsch on the subject of the fake “Christ and the Adulteress”
Letter to Hofer, from German art dealer, Eduard Plietzsch on the subject of the fake “Christ and the Adulteress”
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Letter to Hofer, from German art dealer, Eduard Plietzsch on the subject of the fake “Christ and the Adulteress”
English translation of the letter to Hofer, from German art dealer, Eduard Plietzsch on the subject of the fake “Christ and the Adulteress”
English translation of the letter to Hofer, from German art dealer, Eduard Plietzsch on the subject of the fake “Christ and the Adulteress”
Fake Vermeer painting “The Adultress” (sic) – as it appears in Major Harry Vernon Anderson’s 71-page inventory of Hermann Göring;s art collection.
Hand-typed note, presumably by Hofer
Hofer on Vermeer, presumably under the instruction of Major Harry Vernon Anderson, 101st Airborne Division.
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